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about UTR

For over 20 years, the Under the Radar Theater Festival has brought bold, risk-taking work to New York City, celebrating groundbreaking theater and performance from around the world and from just down the street. Produced in collaboration with historic venues across the city, the Festival showcases innovative multidisciplinary artists whose work speaks powerfully to the present moment. Under the Radar returns in January 2027 with a slate of more than 25 new productions staged throughout the city.

 
 
 
 

UTR history

Under the Radar Founder Mark Russell, the legendary Artistic Director of PS122 (now Performance Space New York), first conceived of UTR in 2003 as a platform to present New Yorkers with contemporary global performance in a renegade festival format. In 2006, UTR found a longtime home at the Public Theater, where it became a multi-show annual centerpiece of the NYC season and a must-see showcase for emerging and experimental creators. Over a nearly two decade run at The Public, Under the Radar gained renown as a consistent champion for innovative artistry. Tarrell Alvin McCraney, Rachel Chavkin, Taylor Mac, Guillermo Calderón, Gob Squad, the Nature Theater of Oklahoma, Reggie Watts, Lemon Anderson, Back to Back Theatre, Belarus Free Theatre, 600 HIGHWAYMEN, Choir! Choir! Choir!, Roger Guinevere Smith and Marc Bamuthi Joseph are just a handful of those whose earliest works were featured as part of Under the Radar.

In 2023, a cease in funding from The Public rendered UTR temporarily homeless. That moment catalyzed UTR’s reinvention as a citywide festival. Unprecedented offerings of support and partnership from dozens of venues, ranging from the large and prestigious to the small and community-based, inspired a 2024 reimagination of UTR as a self-driven nonprofit arts organization fueled by collaboration with the NYC-based theater community and a revolutionary, risk-taking curatorial vision. As of 2026, Under the Radar has self-produced three years of its signature festival, with over 650 performances of more than 80 productions across 40+ stages, serving more than 65,000 audience members.

Artists and creative voices featured in recent festivals include Alex Tatarsky, Nile Harris, Narcissister, Mario Banushi, Dahlak Brathwaite, Elevator Repair Service, Anne Gridley, Tina Satter, Kaneza Schaal, Tania El-Khoury, Joanne Akalitis and Mabou Mines, Elizabeth Marvel and Lee Sunday Evans with Waterwell, The Hawtplates, The TEAM, Lisa Fagan and Lena Engelstein, The Wooster Group and Eric Berryman, Roger Guenveur Smith, Sunny Jain, Modesto Flako Jimenez, Jenn Kidwell, Jaha Koo, Dan Daw, Wakka Wakka, Alaa Shehada, Ann Liv Young, David Herskovits with Target Margin Theater, Ronnie Burkett, Theater in Quarantine with Sinking Ship Productions, The Lazours with Taibi Magar, Joseph Keckler, Omar Offendum, Inua Ellams, Peter Mills Weiss and Julia Mounsey, John Jarboe and The Bearded Ladies Cabaret, Dynasty Handbag, MOTUS, Cliff Cardinal, Albert Ibokwe Khoza, Krymov Lab NYC, Luke Murphy, Sister Sylvester, Shayok Misha Chowdhury and many many more. Continuing its legacy as an artistic launching pad, recent UTR performers and shows have gone on to prominently feature at the Whitney Biennial, Free Republic of Vienna Festival, Melbourne’s Rising Festival and many others.

Under the Radar continues to grow. Our expanding production staff, a rotating Co-Creative Director cohort, a dedicated board of directors, and a dynamic group of Creative Ambassadors spread across the country speak to UTR’s capacity and constant evolution. Under the Radar’s planned work for 2027 promises to be the organization’s most ambitious year yet.

Creative Directors

Under the Radar proudly welcomes the appointment of Janet Wong and Jenn Kidwell as the Festival’s Co-Creative Director team for our 2027 to 2029 seasons. Under the Radar’s innovative multi-year rotational cohort of creative partners allows for constant reassessment of our programming model and fresh perspectives on our mission. Wong and Kidwell step into the shoes of the position’s inaugural duo, Kaneza Schaal and Meropi Peponides, both of whom will continue their collaboration as members of our extended UTR family.

Staff

Festival Founder + Director
Mark Russell

Co-Creative Director
Jenn Kidwell

Co-Creative Director
Janet Wong

Festival Producer
ArKtype | Thomas O. Kriegsmann, Executive Director & Sarah Bellin, Managing Producer

Director of Development
Kendall Masson

Producer, Symposium & Coming Attractions
Joy Chen

Assistant Producer
Carolina Hurtado Castro

Copy Writer + Partner Organization Marketing Coordinator
GreenHouse Publicity | John Seroff and James Molenda

Producer, Festival Presentations
Jake Stepansky

Programming and Curatorial Fellow
Alexander Rice

Public Programs Fellow
Gannon Green

Producing Fellow
Andie Lerner

 

Artist and Presenter Relations Fellow
Jerry Jia

Marketing Strategy and Design
FAILSPACE | Ampersand Paris, Paige Harari, Valentin Uhrig, Angel Acuña, Jean Caceros

Press Representation
Blake Zidell & Associates | Blake Zidell, Adriana Leshko, Moze Halperin

Director of Production
Brian Freeland

Website Design
Abby Browde

Mark Russell, festival founder + director

Mark Russell has been working in the downtown dance/performance and theater world for over 35 years. From 1983-2004 he was the Executive Artistic Director of Performance Space 122. He brought the space from a low-tech artist rental space to a world-renowned presenting institution committed to developing the work of New York City artists. In January 2005 Russell launched the Under the Radar Festival at St. Ann’s Warehouse. UTR focuses on theater-based contemporary performance. The festival moved to the Public Theater in 2006 and became a centerpiece in the New York City theater season; mixing international performances with national and local artists. Russell has been involved with many artists over his career, creating opportunities for them to grow and reach wider audiences. He is now involved in re-imagining The Under the Radar Festival for a new generation.

Jenn Kidwell, co-creative director

Jenn Kidwell is a performing artist with a penchant for getting people to do things they never thought they’d do. Original projects include we come to collect: a flirtation, with capitalism (The Flea Theater/UTR Under Construction, Rising Festival, Woolly Mammoth Weissberg Commission), Those With 2 Clocks (The Wilma Theater) and Underground Railroad Game (2017 Obie Award for Best New American Theatre Work; 2018 Edinburgh Fringe First Award; Lucille Lortel, Helen Hayes nominations). Besides performing in Geoff Sobelle’s upcoming Clown Show, she’s currently collaborating with Chef Laquanda Dobson on Givingthanks, a restorative seed-planting and performative meal, and with Ars Nova Workshop, Rachael Elliott, Odean Pope and Immanuel Wilkins on Recess, an interactive sculptural jazz concert and parade. Past performances include The Welkin (Atlantic Theater Co.), Ocean Filibuster (PearlDamour), Eternal Life Part 1, Fat Ham (2021 film), Antigone (The Wilma Theater), Syllabus for Black Love (jaamil olawole kosoko), Home (Geoff Sobelle; 2018 Bessie Award), Adrienne Truscott’s Still Asking for It (Joe’s Pub), Superterranean, Fire Burns Hot: Little Reno!, I Promised Myself to Live Faster and 99 Break-Ups (Pig Iron Theatre Company). Kidwell has been published in Performance Journal #45 and at hyperallergic.com. She is a 2020 Visiting Artist at Duke University and a 2021 Visiting Artist at UPenn. She is the recipient of a 2013 TCG/Fox Resident Actor Fellowship, a 2015 and 2021 Leeway Foundation Art & Change Grant, 2016 Pew Fellowship, 2017 Independence Fellowship, 2020 Ruthie Award & Hodder Fund Grant, 2023 Foundation for Contemporary Arts Grantee and the 2025 Helen Merrill Award.

Janet Wong, co-creative director

Janet Wong is an independent performing arts professional with expertise in contemporary performance both in the U.S. and internationally. She began her career as a professional dancer in Berlin and was the Associate Artistic Director of New York Live Arts and the Bill T. Jones/Arnie Zane Company. Her wide-ranging work and interests—which include curation, choreography, dramaturgy, directing, producing, projection design, technology, mentorship, collaborative models, systems thinking, environmental justice—inform everything she does. Wong is a member of the Curatorial Council for Seattle-based On the Boards, and serves on the boards of the Jerome Foundation and Big Dance Theater.

ArKtype, producer

ArKtype is recognized as among the world’s leading supporters of new, experimental work. Established in 2005 by producer Thomas O. Kriegsmann to support the finest in emerging and established artists based in NYC and worldwide, we support risk in live performance – creating an ever-shifting mechanism for the fulfillment of artists’ visions for new work, international collaboration, production and touring. The company has grown to encompass renowned artists from twenty-five different countries at any given time, limitless genres and commercial and non-profit support structures for a variety of spaces. Realizing the infrastructural demands of the artist in an environment of limited funding and financial support for creative endeavors, ArKtype aims to balance infrastructural support with creative growth, allowing the artist a long-term relationship with a producing entity based on establishing the artist’s continued presence in the national and international regional theater, festival and arts presenter communities. More information at arktype.org.

Thomas O. Kriegsmann (President) specializes in new work development and touring worldwide. His past work includes projects with Kaneza Schaal, Mikhail Baryshnikov, Peter Brook, Daniel Fish, Victoria Thiérrée-Chaplin, Yael Farber, Anna Deavere Smith, Annie-B Parson & Paul Lazar, Jessica Blank & Erik Jensen, Peter Sellars, Julie Taymor, John Cameron Mitchell and Tony Taccone. Recent premieres include Justin Peck & Sufjan Stevens’ ILLINOIS, 600 HIGHWAYMEN’s A THOUSAND WAYS, nora chipaumire’s NEHANDA, Sam Green’s 32 SOUNDS w/ JD Samson, Bryce Dessner’s TRIPTYCH (EYES OF ONE ON ANOTHER) directed by Kaneza Schaal, John Cameron Mitchell’s THE ORIGIN OF LOVE, Kaneza Schaal & Christopher Myers’ CARTOGRAPHY, Sam Green & Kronos Quartet’s A THOUSAND THOUGHTS, Big Dance Theater / Mikhail Baryshnikov’s MAN IN A CASE, Toshi & Bernice Johnson Reagon’s PARABLE OF THE SOWER and Nalaga’at Deaf-Blind Theater’s NOT BY BREAD ALONE. Ongoing collaborations include Bryce Dessner, Sophia Brous, 600 HIGHWAYMEN, Sam Green, Timothy White Eagle, Andrew Schneider, Big Dance Theater, John Cameron Mitchell & Amber Martin, and Compagnia T.P.O. Premieres include Sufjan Stevens & Justin Peck’s ILLINOISE, Bryce Dessner & Kaneza Schaal’s UNTITLED OCEAN VUONG PROJECT, Sam Green’s UNTITLED TREES DOCUMENTARY PROJECT, and Penny Arcade’s autobiographical epic THE ART OF BECOMING. He is a founding member of CIPA (The Creative & Independent Producer Alliance).

Board of Directors

John C Robinson
Kaneza Schaal
Kenneth E. Lee
Mark Russell
Olga Garay-English
Stephen C. Smith
Thomas O. Kriegsmann

CREATIVE AMBASSADORS

Arian Moayed
Brian M. Rosen
Carlos Armesto
Christopher Hibma
David Binder
Dianne McKeever
Gundega Laivina
John C Robinson
Meropi Peponides
Nunally Kersh
Olga Garay-English
Ruby Lerner
Stephen C. Smith
Vallejo Gantner

Board of Directors

John C Robinson
Kaneza Schaal
Kenneth E. Lee
Mark Russell
Olga Garay-English
Stephen C. Smith
Thomas O. Kriegsmann

CREATIVE AMBASSADORS

Arian Moayed
Brian M. Rosen
Carlos Armesto
Christopher Hibma
David Binder
Dianne McKeever
Gundega Laivina
John C Robinson
Meropi Peponides
Nunally Kersh
Olga Garay-English
Ruby Lerner
Stephen C. Smith
Vallejo Gantner

OUR SUPPORTERS

FOUNDATIONS

Darnell-Moser Charitable Fund
Distracted Globe
Jerome Foundation
JKW Foundation
Mellon Foundation
NYC Mayor’s Office of Media and Entertainment
Onassis ONX
Select Equity Group Foundation
The Mark Krueger Charitable Fund
The Shubert Foundation
W Trust


Under the Radar’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

LEADERSHIP Circle MEMBERS

Ruth and Stephen Hendel
Lloyd Lynford
AJT
Gary Lynch & Kate Hall
Ken Lee and Susan Jang
Virginia A. Millhiser

CREATIVE AMBASSADORS

Arian Moayed
Brian M. Rosen
Carlos Armesto
Christopher Hibma
David Binder
Dianne McKeever
Gundega Laivina
John C Robinson
Meropi Peponides
Nunally Kersh
Olga Garay-English
Ruby Lerner
Stephen C. Smith
Vallejo Gantner

UTR Insiders

Bill Bragin
Bob Stachel
Bob Stein
Cathy Edwards
Carol Ostrow
Cecily Cook
Elizabeth Kipp‑Giusti
Eva and Max Weissman
Jedediah Wheeler
Jessica Mitrani
Jody Falco and Jeffrey Steinman
Jozelyn Davis
Sara Coffey
Sara Fulton
Steven Usdan
TzuYin Hsu

Moxy is the exclusive hotel partner of Under the Radar.

Under the Radar is a partner of JanArtsNYC, celebrating 13 years of partnership in 2026.

Every January in New York City, more than 45,000 performing arts leaders, artists, and enthusiasts from across the globe converge for JanArtsNYC. A partnership among independent multidisciplinary festivals, indispensable industry convenings, and international marketplaces, JanArtsNYC is one of the largest and most influential gatherings of its kind. #JanArtsNYC

Promotional support provided by the New York City Mayor’s Office of Media and Entertainment.

Watch the video below to learn more about how the JanArtsNYC partnership celebrates the performing arts and brings people together.

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