Spider Rabbit

Tony Torn & Dan Safer

Presented by La MaMa

#NYC-Based Artist, #70 Minutes or Less, #UTR Alumni

photo credit: Maria Baranova

Spider Rabbit is a play by poet and Obie Award-winning playwright Michael McClure. Written in 1971, it is an absurdist anti war gargoyle cartoon that feels increasingly relevant over half a century later. Spider Rabbit is a radical, expressionistic, surreal journey that feels like an episode of Pee-Wee’s Playhouse turning into a poignant tragedy, turning into a howl against brutality. This new production, directed by Dan Safer and starring Tony Torn, features sound design and music by Christian Frederickson (of the band Rachel’s), original music by Jared Michael Nickerson & V. Jeffrey Smith (from Burnt Sugar Arkestra) and expressionistic lighting by Jay Ryan.

“Tony Torn is sublime… a pitch perfect production. Dan Safer is a deft choreographer of chaos.”
– VVVIDE.COM

Spider Rabbit, Video Design, Costuming: Tony Torn
Director, Set Design, Costuming, Props: Dan Safer
Sound Design and Original Music: Christian Frederickson
Original Music: Jared Michael Nickerson and V. Jeffrey Smith
Lights, Set and Special FX: Jay Ryan
Props: Gerald Torn
Props and Special FX: Joseph Lark-Riley
A Vision: Lee Ann Brown
Vision Make-Up Design: Aeon Andreas
Narration Voiceover: Lars Eidinger
Beast Sounds: Tom Fitzpatrick
Soprano: Anne Nonnemacher
Company Producer: Sophie Ancival

Director Dan Safer got kicked out of high school for a year, used to be a go-go dancer and once choreographed the Queen of Thailand’s Birthday Party. He is a choreographer, director, performer, teacher and frequent collaborator with Tony Torn, notably on the notorious Ubu Sings Ubu. Safer’s dance and theater company Witness Relocation is a resident company at La MaMa and performs all over, from the back of bars in NYC to Théâtre National de Chaillot in Paris to a giant leaky warehouse in Poland where a light fell off the grid during a show and almost killed him. Recent work includes Particles, Fields, and The Void, a duet with Thomas F. DeFrantz (in development); choreography for Hoi Polloi’s Family by Celine Song; Jedermann at the Salzburg Festival; and Aristotle Thinks Again with Great Jones Rep. His work has been seen at DTW, BAM, Danspace Project, Les Subsistances (Lyon, France), Patravadi Theater (Bangkok), an opera house in Transylvania and elsewhere. He has collaborated with Chuck Mee, Robert M. Johanson, Christian Frederickson, Ridge Theater, Alec Duffy, Ishmael Houston-Jones, Stefanie Batten Bland, Heather Christian, Mary Overlie, Julia Kent and many more. In the 90s, as Hellena Handbasket, he was part of Anohni’s Blacklips Performance Cult. Dan is a Senior Lecturer and Director of Dance at MIT.

Tony Torn, the titular Spider Rabbit, has been seen most recently onstage as Lear/Oswald in Shakespeare’s King Lear, Directed and Adapted by Karin Coonrod at La Mama ETC; Mr. Slocum/Mr. Rooney in Beckett’s All That Fall and Henry in Maria Irene Fornes’ Mud, directed by JoAnne Akalaitis at Mabou Mines; Doktor/Grandmother in Büchner’s Woyzeck, adapted by Lukas Papenfusscline and directed by Jesse Rasmussen at Torn Page; The Client in Bernard-Marie Koltès’ In The Solitude of Cotton Fields, directed and translated by Amin Erfani on Pier 45 for the Down To Earth Festival; Ensemble in Michael Gordon’s The Forest of Metal Objects, directed by Paul Lazar and Annie-B Parson at The Cloisters for Met Live Arts; JG Conwell Senior in Life and Trust by Emersive Productions at Conwell Tower in the Financial District; and Poor Man/Mr. Sunday in Molière’s Dom Juan, directed by Ash K.Tata for Bard Summerscape. He has an impressive list of movie and television credits that includes The Blacklist, Teenage Bounty Hunters, Law and Order SVU, Exhibiting Forgiveness, The Dutchman and Invention. Most recently, he can be seen in Little Brother with Eric Andre and John Cena and Late Fame with Willem Dafoe and Greta Lee. Torn recently directed the acclaimed English language premiere of Romina Paula’s The Whole of Time at Torn Page and The Brick. Tony is also known for his extensive work with experimental theater makers Reza Abdoh and Richard Foreman, as one of the founding directors of Reverend Billy and the Church of Stop Shopping, for playing Rusty Trawler in Breakfast at Tiffany’s on Broadway, and creating and starring in Ubu Sings Ubu with Dan Safer. He manages Torn Page, a private event space named in honor of his parents Rip Torn and Geraldine Page.

This production was made possible in part by support from The Council for the Arts at MIT. Presented by special arrangement with the estate of Michael McClure.

La MaMa
The Club
74A East 4th Street
By Subway: N/Q/R/W at 8th Street/NYU, 4/6 at Bleeker Street, F at 2nd Avenue.

Accessibility
La MaMa welcomes all audiences to experience work made by our artists in our many spaces, and we offer the following services to meet the needs of our audiences. If you have questions about accessibility services at La MaMa, please call our box office at 646-430-5374 or email boxoffice@lamama.org. Accessible entrances are located at 74A E 4th Street, 66 E 4th Street, and 47 Great Jones. Please call our box office at 646-430-5374 or email boxoffice@lamama.org with questions or any specific requests. Restrooms open to the public are in the Ellen Stewart Theatre lobby, the Downstairs Theatre lobby, and the 74A E 4th Street lobby. A staff member can direct you to the elevator to reach the restrooms. Elevators are located in 74A E 4th Street, 66 E 4th Street, and 47 Great Jones. Open captioning is available for select performances.

Appropriate Age Range
Recommended for Audience Members 12 and up… but honestly, it’s up to you. They’re your kids.

SCHEDULE

Friday, January 8 at 7pm
Saturday, January 9 at 3pm and 6pm
Sunday, January 10 at 5pm
Monday, January 11 at 7pm
Tuesday, January 12 at 3pm and 6pm

VENUE

La MaMa
The Club
74A East 4th Street
map

Accessibility
For access + directions, click here

Run Time:
45 minutes

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