program > main stage
Tania El Khoury
The Search for Power
Presented by The Invisible Dog Art Center, a co-production with the Fisher Center at Bard
photos: Elina Giounanli, Manuel Vason
an installation performance featuring the artist, the historian and the audience
On a night with a sudden electricity outage in their Beirut neighborhood, the artist and her historian husband discussed the history of power cuts in Lebanon. Born during the Lebanese Civil War, the artist had grown up with the understanding that the problem with electricity in Lebanon began during the war. The historian, however, recalled finding a government document dated 1952 that announced scheduled electricity outages across Beirut. The two decided to research the history of power outages in Lebanon, delving into the intersection between public utilities infrastructure, people’s relationship to the state, and various popular mobilizations to shape both. In time, they reach as far back as the introduction of electricity in Beirut before it was even possible to imagine a Lebanese state. In space, they collect documents across Lebanon and beyond its borders, visiting the archives of colonial powers: Belgium, France, the United Kingdom, and the United States. What they find is a transnational story that locates electricity at the intersection of colonial legacies, the machinations of political and economic elites, and everyday acts of resistance, survival, and sabotage. The Search for Power is a lecture and installation performance featuring the artist, the historian, and the audience.
SCHEDULE
Thursday, January 9: Installation from 11am-4pm, Show @ 7pm
Friday, January 10: Installation from 11am-4pm, Show @ 7pm
Saturday, January 11: Installation from 10am-2pm, Shows @ 4pm, 7pm
Sunday, January 12: Installation from 11am-4pm, Show @ 7pm
Tuesday, January 14: Installation from 11am-4pm
Wednesday, January 15: Installation from 11am-4pm
Thursday, January 16: Installation from 11am-4pm and Show @ 7PM
Friday, January 17: Installation from 11am-4pm and Show @ 7PM
Saturday, January 18: Installation from 10am-2pm, Shows @ 4pm, 7pm
Sunday, January 19: Installation from 11am-4pm, Show @ 7pm
Run time: 75 minutes
VENUE
The Invisible Dog Art Center
51 Bergen St,
Brooklyn, NY 11201
Access:
The entrance to the main gallery of the Invisible Dog is up a 3-inch step and through a 35 inch door. There is also a 7-foot-wide freight entrance that has no step. There is a doorbell to request ramp access or access through the freight entrance. The entrance to the garden is up and down three steps. Ramp access is available one door down between 1 and 7pm daily. Please note that Invisible Dog does not have ADA compliant toilets.
CREDITS
Creation: Tania El Khoury
Performance : Tania El Khoury, Ziad Abu-Rish, and Petra Abousleiman
Research: Ziad Abu-Rish with support from Owain Lawson
Graphic Design: Jana Traboulsi
Production Design: Petra Abousleiman
Sound Design: Ali Beidoun
Dramaturgy: Deborah Pearson
ABOUT THE ARTISTS
Tania El Khoury is a live artist whose work focuses on audience interactivity and its political potential. She creates installations and performances in which the audience is a witness and an active collaborator. Tania’s work has been translated to multiple languages and shown in 32 countries across 6 continents in spaces ranging from museums to cable cars. She is the recipient of the Herb Alpert Award in the Arts, Soros Art Fellowship, the Bessies Outstanding Production Award, the International Live Art Prize, the Total Theatre Innovation Award, and the Arches Brick Award. Tania is Distinguished Artist in Residence of Theater & Performance and the Director of the OSUN Center for Human Rights & the Arts at Bard College in New York. She holds a PhD from Royal Holloway, University of London. She is associated with Forest Fringe collective of artists in the UK and is a co-founder of the urban research and live art collective, Dictaphone Group in Lebanon.
Ziad Abu-Rish is a scholar of the modern Middle East and North Africa (MENA) region. His research centers around state formation, economic development, and popular mobilizations, particularly in Lebanon and Jordan. His teaching experience includes undergraduate and graduate courses on global history; comparative state formation; comparative protest movements; introduction to Middle Eastern studies; women, gender, and sexuality in Middle East history; human rights advocacy; freedom of expression; and research methodologies. Abu-Rish is coeditor of The Dawn of the Arab Uprisings: End of an Old Order? (2012), Critical Voices: A Collection of Interviews from and on the Middle East (2015), and What Is Political Economy? (2016). Abu-Rish is the author of articles appearing in Middle East Report and Review of Middle East Studies and chapters in edited volumes published by Oxford University Press, Stanford University Press, and the University of Wisconsin Press. He has also contributed book reviews to the International Journal of Middle East Studies. He serves as coeditor of Arab Studies Journal and Jadaliyya e-zine, and codirector of the Lebanese Dissertation Summer Institute and Middle East Studies Pedagogy Initiative. During 2021–23, Abu-Rish is a member of the board of directors of the Middle East Studies Association (MESA).
CREATION + FUNDING
A Co-production with the Fisher Center at Bard.
Co-commissioned by Anti Festival and Shubbak Festival. Supported by Arts Council England and brut Wien.
Tania El Khoury is an artist in residence at the Fisher Center at Bard with lead support from the Mellon Foundation.
The Fisher Center develops, produces, and presents performing arts across disciplines through new productions and context-rich programs that challenge and inspire. As a premier professional performing arts center and a hub for research and education, the Fisher Center supports artists, students, and audiences in the development and examination of artistic ideas, offering perspectives from the past and present, as well as visions of the future. The Fisher Center demonstrates Bard’s commitment to the performing arts as a cultural and educational necessity. Home is the Fisher Center for the Performing Arts, designed by Frank Gehry and located on the Bard College campus in New York’s Hudson Valley. The Fisher Center offers outstanding programs to many communities, including the students and faculty of Bard College and audiences in the Hudson Valley, New York City, across the country, and around the world. Building on a 164-year history as a competitive and innovative undergraduate institution, Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders.
